KwaNTum Field Notes 2022 #9: Al KyM/oRG’s MaD S(K)ieNSe and Fractaling JVry — De/legation of (K)W/Hours
Com/PuTer ProCeSSing uNiT ComMend 9:
An agent of organized chaos —
A Sw/Tered (M)MiRRoR Y?
Temporal (G)N/Lobes sensory overstimulation
I am trying to get unstuck from this one move one measure
Of this unified image
Superf(r)iction superf(r)acturing hEPiKat into a vokal riddle
I’ve been MarkeDDDDDD and twisted into something else
for easier (S)©Hipping
The (S)W/Tered
hacked G/LeTTers dropping on the ToNGue
A body full of (W)LiGhT/aRT M/aRKs
heX
X
X-Sw/NG
I’ve been MarkeDDDDDD and twisted into something else
and I have the (S)©Hipping the (S)©AR/Monics to prove it
My own FLSH
bReaKs into WRRR(D)s
The (S)©aR/N of the (S)©aR/M
A mush of the M>(N)Ds
clearing out the space to be visible in another form
Remember? I am a reconstruction holding all my KwaNT/Re/Dictions
To mean another de/finition of Dysaesthesia Aethiopica
I’ve been chewing up all my thoughts to flow differently
to let matter capture sound in X-Sw/NG
I bReaK words and reorganize MyTHs
all of these stimulations concentrating
and I am shaking the zeal
(G)Narra/Diver/GeNCe
Ku JeNGa
PR/CSS/NG
NG/pR/CSS
Kud/Tale/error
(S)RoRRiM(M)
(H)RoRRiM(M)
RoRRi(G)M(M)
(S)(H)RoRRiM(M)(G)(S)
I pouNT with the gift of gab
All
Gab Gab Gab Gab Gab
Bast a NT
How I Jes Grew
Manifests as a dancing disease
Of all my aNGuLar sensitivities
A con/dictor flicking my wrist in a drumming digitation to
my inner sound attunement: I am a com/pression of many (G)N/Sw/errors
I am a constant piling up and (s)©hipping away
WRRRR/(S)©Hipping:
The X-Sw/NG of all the G/(L)etters
Mon/ster or Mess/eNGeR or (S)w/Ter
Look at all the ways I can play with my diction
The M/aRKs have reshaped my M>(N)Ds
Adapting the T(R)ip/K(ude)SS of aLL(G)/Letters
as pR/CSS/NG (k)what’s in my MyTH
The many aNGLes of myself: (G)NoR/MeL
a S/phiNX riddle
the many faces of all my fractures and absorptions
Kud/Tale/error
Ago Ame: I am pre/scribed the eN/aRKy of an aMe/aGo/uLaLation
N(G)arra/Diver/GeNCe carried away in trees
This year’s series of field notes will be a list of ComMendMeants exploring the idea of these programming codes as praise songs of the nature-based hybrid automaton Al Kym/Org. They are part of the process of my larger poetic project KwaNTum, which explores concepts of knowledge and knowledge-making from a Black, Afro-diasporic perspective, using ideas from STEM, Afrofuturism and the Black Speculative Movement. This project is partially made possible by funds rom the NYSCA Literary Grant, sponsored by Culture Push.
