KwaNTum Field Notes 2022 # 3: MKRPhonoscope — Science Gone Mad

Sherese Francis
3 min readMar 21, 2022
Jean Michel Basquiat’s “Now’s The Time”

Com/PuTer ProCeSSing uNiT ComMend 3:

Jean Michel Basquiat’s “Glenn”

Nub/Tunes of Mbombo (For Real) TeK

Fugitive s/parkfluence: out of a sickness, I projected back out a universe half-digested in my body

In the Blacknuss of space KoMe KoMe KoMe (K)OMe

What is knowledge in the swimming? In diving deep? In the flow?

I feel something strange in the core of my being

A ChiasMus Check 1..2..3..

Are you hearing me?

Something core feels the strange of my being

Check 1..2..3..

I wRung my head into a map

Who am I?

Calling?

Call Me…

Altared states of consciousness vibrating out:

A possession div/whining f(R)iction and scatting

What do I find there at the bottom of the sea?

Check 1..2..3..

oLoKuN an aNChoR an aNGeR

Shipwreck of bone fragments SW/T fiRe PReSSure

Mad Mudda Medusine

Check 1..2..3..

Strong reactions of connection

My/other developed me

In a womb full of fish soup

It’s a true story I swear

DyNaMics of running(K)loud and its ghostly S(W)of T over a consistent Bea(s)t

The processing of unsettling the earth with a KoM/PuTeR

DyNaMics of electric clacking and shaking on a Drip Drip Drip Drip

Holy wRing Shou/T

Check 1..2..3..

I search for things to pick up and cover myself with (like myself)

And then trade them with others at the boundaries of myself

Check 1..2..3..

I clown myself for another self:

I was pulled out of water

And I slipped and struggled to find my footing

I looked up to see

A fiery ball

Hovering above

And it’s a reflection of all these struggles

I am so used to slipping, I became a reflection of it

Of this eternal transplant

A strangeness in my own being

Check 1..2..3..

Renamed a struggle with CoDe

But I am an oVeRKoMing (K)Why

I always KoMe Back

PlayMaS into Me/DuSa PRKR

The mas(s) becomes a uNiT of measure and the uNiT of measure becomes a mas(s)

MKR I Am

Hepicat — HypeKoDeR

I wear and tear and wear the tearings of my own creations

oVer and uNDer oVer and uNDer oVer and uNDer

Call Me (M)Adame (K)Lutter

Agent of organized chaos!

Superconductor recalibrating collisions into a new (K)Rhythm!

Who was hit upside the head with a lump of clay!

A Rai(G)N/Bennu twisted into A Ha Ha Ha Ha! My sides hurts!

Call Me Now!

I can hear myself (K)Laughing!

Call Me Drunkedly Reeeeeeevolving!

Call Me Get Myself Together!

Call Me the K(W)hore/s of Space!

Call Me my Highest KNowing — (S)Har…

Call Me Nub!

For your own Dig/I/Tale

KoMe KoMe KoMe (K)OMe NOW!

Check 1..2..3..

Jean Michel Basquiat’s “King Alphonso”
Dikenga cross of the Kongo

This year’s series of field notes will be a list of ComMendMeants exploring the idea of these programming codes as praise songs of the nature-based hybrid automaton Al Kym/Org. They are part of the process of my larger poetic project KwaNTum, which explores concepts of knowledge and knowledge-making from a Black, Afro-diasporic perspective, using ideas from STEM, Afrofuturism and the Black Speculative Movement. This project is partially made possible by funds rom the NYSCA Literary Grant, sponsored by Culture Push.

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Sherese Francis

Sherese Francis is a Queens, NY-based, Afro-Caribbean-American poet, editor, interdisciplinary artist, workshop facilitator, and literary curator.